di Stradivari Antonio

1684 - Cello "Visconti"

The hypothesis that the instrument may have been originally a viola da gamba (Hill) finds credit in the manner in which it was transformed in the early nineteenth century cello, perhaps by John Betts of London. On the soundoard and on the back is painted the weapon of the noble Visconti, fact from which it derives the name of the instrument, but the reference to the family of Visconti di Modrone is wrong, because it constitutes the coat of arms of the Counts of Visconti of Cremona (who later bought the title of Counts of Marcignago). Back of two pieces. Right upper rib was subsequently replaced. Scroll of a later period, perhaps by Nicolas Lupot (Wurlitzer). Red-brown varnish. The date on the label affixed to the instrument is 1684, but the varnish and the cutting of Stradivari effe recall the production of the early nineties of the seventeenth century (Carlson).

  • 1684, Cremona
  • Dated 1864
  • 76.7 cm
  • 34 cm
  • 24 cm
  • 43.5 cm
  • W. E. Hill & Sons, London, August 9, 1901; Wurlitzer, New York
  • Bernard Greenhouse; Msistlav Rostropovich
  • Fine XVIII, inizi XIX sec., a Parigi, Nicolas Lupot ? (Testa); inizi sec. XIX, John Betts, a Londra (trasformazione.in violoncello)
  • 2004, Cremona: I violoncelli di Antonio Stradivari
  • Hill 1902; Doring 1945; Goodkind 1972; AA.VV. 2004; Chiesa 2005
  • Count Visconti; John Betts 1800; W.E. Hill & Sons 1911; Mrs. Ginn (Boston) 1911; Ginn Family (Boston) 1911/49; Bernard Greenhouse 1950; Jacques Français 1958; Benjamin Cooper 1958; Robert Alonzo Lehman 1964; Msistlav Rostropovich 1969

creato:martedì 23 ottobre 2012
modificato:giovedì 23 marzo 2017